For most of the last quarter of a century the building which houses the Tap was home to the ‘York Model Railway,’ a small, much overlooked, attraction. Yet, in early 2011 it decided to move to a site in Lincolnshire and it was at this point that Pivovar, owner of the Euston and Sheffield Taps, as well as Pivni in York city centre, moved in. The decision by East Coast, the Train Operating Company that manages York Station, to allow Pivovar to inhabit the building was important for railway heritage. The building is Grade II listed and as such special care had to be taken with it. Indeed, the process of renovating and revealing the neglected interior cost £250,000, including a contribution of £75,000 from the Railway Heritage Trust.[1]
This money was clearly worth it, and entering the building is a bit like going back in time. Never, in all my drinking days have I experience a pub which satisfies two of my loves: railway history and good ale. Thus, after my visits I began thinking about the history of the Tap building and was resolved to investigate. Much to my surprise, after only a short period of digging I found an article in The British Architect describing the building’s construction and interior.
The building that the Tap uses was originally opened in February 1907 by the North Eastern Railway (NER) as the station’s tea room. It seems that around the same time the NER may have been in the process of expanding tea rooms facilities at its large stations, as the article on the York establishment was accompanied by another describing a new tea room at Hull (now a Pumpkin CafĂ©). Indeed, the Hull and York tea rooms, as well as their interiors and furniture, were both designed in an art-nouveau style by Mr W. Bell F.R.I.B.A., the company’s architect.
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The building's design was originally governed by the position of the pre-existing roof columns and spandrils. Indeed, these were incorporated into the tea room, with fretwork added to the columns to hide the fact that they were part of the station’s main structure. Furthermore, the joy with the current interior is that the colours are very similar to those adopted in 1907. The walls were ‘finished in crimson,’ the ceiling was cream and the woodwork was white. The furniture and counter were executed in ‘dark mahogany,’ and the floor, which remains to this day, was a mosaic with an ornamental border. The only significant departures in the Tap from the 1907 features is that the counter and furniture are in different positions and are of a different design, and there is an absence of floor rugs (as shown in the pictures). Nevertheless, what has been accomplished when sitting in the Tap today is a wonderful sense of history and nostalgia.
Lastly, a nod should go to those who created the structure in 1907. The contractors for its building were Messrs Blackett and Son of Greencroft East, Darlington, and the instillation of the mosaic's terrazzo paving was entrusted to Messrs Diespeker of 60 Holborn Viaduct, London.[2]
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Visit the York Tap’s website HERE
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[1] http://www.yorkpress.co.uk/news/9366138.New_pub_taps_into_the_real_ale_market
[2] The British Architect, 27 February 1907, p.127
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